{"product_id":"hotshoe-magazine-issue-215-at-the-movies","title":"Hotshoe Magazine – Issue 215: At the Movies","description":"\u003cp\u003eFor this issue of \u003cem\u003eHotshoe: At the Movies\u003c\/em\u003e, we focus on the relatively unexplored photographic space of the film set, and peek behind-the-scenes of some of the biggest films of recent times with the photographers hired (or not) to document that space.\u003c\/p\u003e\u003cp\u003eWe publish interviews with many of these top photographers, and a few comments from their directors, to explore the transitional space between one’s own work and art, and the work commissioned by someone else. All with unique perspectives on how to work within the scope of another artist’s world.\u003c\/p\u003e\u003cp\u003eWorking to someone else’s brief can ignite creativity through its restriction. The natural boundaries placed on photographers shooting on film sets can sometimes facilitate an unexplored direction for a photographer’s own work and a plethora of new ideas. And the collaboration or lack of collaboration between a director and a photographer can either hinder or help that process.\u003c\/p\u003e\u003cp\u003eFinally, we are thrilled to feature David Campany’s words, which accompany Robert Cumming’s images, \u003cem\u003eStudio Still Lifes\u003c\/em\u003e, in the Crude Metaphors section. Cumming was invited to photograph behind the scenes at Universal Studios in 1977.\u003c\/p\u003e","brand":"Hotshoe","offers":[{"title":"Default Title","offer_id":58330245071231,"sku":null,"price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1023\/0906\/9183\/files\/PKB_4440.jpg?v=1788267188","url":"https:\/\/coverstorybrighton.co.uk\/products\/hotshoe-magazine-issue-215-at-the-movies","provider":"Cover Story Brighton","version":"1.0","type":"link"}